|Document Reference||MS 565|
|Title||Collection of photographs and photographic negatives depicting scenes in the East Midlands, c.1920s-c.1930s|
|Abstract||The collection comprises black and white photographic prints and negatives illustrating places, people and events in Derbyshire, Nottinghamshire and Leicestershire between the First and Second World Wars.|
|Access Conditions||Accessible to all readers by advance notice and agreement.|
|Admin History||The collection of photographs was gathered together by Cyril Hulley of Melbourne, Derbyshire but it is not known if he was the photographer. No details are known about the circumstances of their creation.|
|Custodial History||The collection was acquired by The University of Nottingham's Department of Manuscripts in 1970 from Cyril Hulley of Melbourne, Derbyshire.|
|Description||The black and white photographs in the collection depict people, events (including the General Strike, 1926), rural scenes, industrial buildings, collieries, farm animals, church architecture and historic houses in a variety of locations in the East Midlands. Places include: Eastwood, Annesley, Nuthall, Strelley, Beauvale, Greaseley, Kimberley, Bottesford, Nottingham, Awsworth, Gunthorpe, Newthorpe, Stapleford, Lowdham, Giltbrook, and Halloughton in Nottinghamshire; Ambergate, Dale Abbey, Bakewell, Haddon, Rowsley, Codnor, and Heanor in Derbyshire; and Dishley Abbey, Ragdale, and Woodhouse Eaves in Leicestershire. One of the photographs depicts Cyril Hulley beside the Moorgreen Reservoir, Eastwood. The prints are accompanied by negatives of the photographs and a manuscript list of the images depicted. There are approximately 250 prints and negatives.|
|Arrangement||The collection retains its original order.|
|FindingAids||Copyright in all finding aids belongs to The University of Nottingham.
In the Reading Room, King's Meadow Campus:
Typescript catalogue, 26 pp.
Online catalogue accessible through the Manuscripts and Special Collections website. |
|Copyright||Identification of copyright holders of unpublished material is often difficult. Permission to make any published use of any material from the collection must be sought in advance in writing from the Keeper of Manuscripts and Special Collections (email email@example.com).|
|ReprodnNote||Reprographic copies can be supplied for educational use and private study purposes only, depending on access status and the condition of the documents.|